Wednesday, February 29, 2012

Roll the Reel: Merrick's March Movie Madness

THE PROLOGUE:

Alright folks, I've been in a pretty movie-related mood lately and am trying to ween myself off my Oscar addiction as soon as I can.  So, in lieu of all this, I've decided to use the next month (The month of March) to go through my favorite years in cinema, aside from your normal programming.  These are the years that make film students cry (because the movies are so mainstream), film critics smile (because they can keep their jobs), and normal people go "why do I care?" (because they have other far more important things to worry about like mortgages and stuff).

So stay tuned folks it's gonna be a fun time, Johnny and I will be kicking it off and rolling the reels... in STYLE!

The name's Bond, James Bond, and I love Merrick's March Movie Madness.






So sit down in your seat right in the middle of the front row, chow down on some popcorn, and get ready for so Merrick's March Movie Madness!

"I'd love to stay here and chat baby," said James Dean,
"but it's time for MERRICK'S MARCH MOVIE MADNESS."

LET THE GAMES BEGIN!



~Viva amigos,
   ~D. Merrick




Monday, February 27, 2012

After Hours: 84th Academy Awards Wrap-Up

Ah folks, the champagne bottles are finished, Billy Crystal has finally realized he should just go back to working two-bit nightclubs, and maybe Jack Nicholson is realizing that he's too old at last because he hasn't gone home with the waitress.  You know what that means kids, the 84th Oscars are over and they were a pretty decent success. 


Big pimpin'.



The Artist cleared out the top noms while Hugo ate up the technical side.  I'm mad that The Descendants and Drive didn't get all the recognition they deserved but hell, the Academy is a bunch of old white film elitists who love watching movies about movies (and the Holocaust).  I'm sure if it was run by lonely, middle aged housewives, The Descendants would have sweeped and Clooney would have been forced to accept every award.
I personally got 21 out 24 predictions right so it was a good night for me.  I'm gonna wrap up the entire spectacle for you guys so that way you'll actually have something to say at work tomorrow and not feel like a total loser, standing there sipping your coffee with a dazed look on your face because you missed the Academy Awards.  ROLL THE REEL JOHNNY!

BEST PICTURE: THE ARTIST

The Descendants
Hugo
Midnight in Paris

Moneyball
War Horse
Extremely Loud & Incredibly Close
The Tree of Life
The Help


BEST DIRECTOR: MICHEL HAZANAVICIUS (THE ARTIST)
*Martin Scorsese (Hugo)

Terrance Malick (The Tree of Life)
Woody Allen (Midnight in Paris)
Alexander Payne (The Descendants)


BEST ACTOR IN A LEADING ROLE: JEAN DUJARDIN (THE ARTIST)
*George Clooney (The Descendants)
Brad Pitt (Moneyball)
Gary Oldman (Tinker Tailor Soldier Spy)
Demian Bichir (A Better Life)


ACTRESS IN A LEADING ROLE: MERYL STREEP (THE IRON LADY)
*Rooney Mara (The Girl with the Dragon Tattoo)
Glenn Close (Albert Nobbs)
Michelle Williams (My Week With Marilyn)
Viola Davis (The Help)


BEST SUPPORTING ACTOR- CHRISTOPHER PLUMMER (BEGINNERS)
*Kenneth Branagh (My Week With Marilyn)
Jonah Hill (Moneyball)
Nick Nolte (Warrior)
Max von Sydown (Extremely Loud & Incredibly Close)


BEST SUPPORTING ACTRESS- OCTAVIA SPENCER (THE HELP)
Berenice Bejo (The Artist)
Jessica Chastain (The Help)
Melissa McCarthy (Bridesmaids)
Janet McTeer (Albert Nobbs)


BEST ORIGINAL SCREENPLAY- WOODY ALLEN (MIDNIGHT IN PARIS)
Michel Hazanavicius The Descendants
Annie Mumolo & Kristen Wiig Bridesmaids
J.C. Chandor Margin Call
Asghar Farhadi A Separation


BEDT ADAPTED SCREENPLAY- ALEXANDER PAYNE, NAT FAXON & JIM RASH (THE DESCENDANTS)
John Logan Hugo
George Clooney, Grant Heslov, & Beau Willimon The Ides of March
Steve Zaillian, Aaron Sorkin, & Stan Chervin Moneyball
Bridget O'Connor & Peter Straughan Tinker Tailor Soldier Spy


BEST FOREIGN LANGUAGE FILM: IRAN, A SEPARATION
Belgium, Bullhead
Canada, Monsieur Lazhar
Israel, Footnote
Poland, In Darkness


BEST ANIMATED FEATURE: RANGO (GORE VERBINSKI)
A Cat in Paris
Chico & Rita
Kung Fu Panda II
Puss in Boots


BEST ORIGINAL SCORE: LUDOVIC BOURCE (THE ARTIST)
John Williams The Adventures of Tin Tin
Howard Shore Hugo
John Williams War Horse
Alberto Iglesias Tinker Tailor Soldier Spy


BEST ORIGINAL SONG: "MAN OR MUPPET"-BRET MCKENZIE
"Real in Rio"-Sergio Mendez, Carlinhos, Siedah Garrett


BEST ANIMATED SHORT FILM: THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE
Dimache/Sunday
La Luna
Wild Life
A Morning Stroll


BEST LIVE ACTION SHORT FILM: THE SHORE
*Pentacost
Raju
Time Freak
Tube Atlantic


BEST FEATURE LENGTH DOCUMENTARY: UNDEFEATED
*Pina
If a Tree Falls: The Story of the Earth Liberation Front
Paradise Lost 3: Purgatory
Hell and Back Again


BEST SHORT DOCUMNETARY: SAVING FACE
*God is the Bigger Elvis
The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
Incident in New Baghdad
The Tsunami and the Cherry Blossom


BEST CINEMATOGRAPHY: ROBERT RICHARDSON (HUGO)
Guillame Schiffman (The Artist)
Jeff Cronenworth (The Girl with the Dragon Tattoo)
Emmanuel Lubezki (The Tree of Life)
Janusz Kaminski (War Horse)


BEST EDITING: KIRK BAXTER AND ANGUS WALL (THE GIRL WITH THE DRAGON TATTOO)
*Kevin Tent (The Descendants)
Anne-Sophie Bion and Michel Hazanavicius (The Artist)
Thelma Schoonmaker (Hugo)
Christopher Tellefsen (Moneyball)


BEST VISUAL EFFECTS: ROB LEGATO, JOSS WILLIAMS, BEN GROSSMAN, & ALEX HENNING (HUGO)
*Joe Letteri, Dan Lemmon, R. Christopher White, & Daniel Burret (Rise of the Planet of the Apes)
Tim Burke, David Vickery, Greg Butler, & John Richardson (Harry Potter & the Deathly Hallows Part II)
Eric Nash, John Rosengart, Dan Taylor, & Swen Gillberg (Real Steel)
Scott Farrar, Scott Benza, Matthew Butler, & John Frazier (Transformers: Dark of the Moon)


BEST ART DIRECTION: DANTE FERRETTI & FRANCESCA LO SCHIAVO (HUGO)
*Laurence Bennett & Robert Gould (The Artist)
Anne Seibel & Helene Dubreuil (Midnight in Paris)
Stuart Craig & Stephanie McMillan (Harry Potter and the eathly Hallows Part II)
Rick Cart & Lee Sandales (War Horse)


BEST SOUND EDITING: PHILIP STOCKTON & EUGENE GEATRY (HUGO)
*Lou Bender & Victor Ray Ennis (Drive)
Ren Kiyce (The Girl with the Dragon Tattoo)
Richard Hymns & Gary Rydstrom (War Horse)
Ethan Van der Ryn & Erik Aadahl (Transformers: Dark of the Moon)


BEST SOUND MIXING: TOM FLEISCHMAN & JOHN MIDGLEY (HUGO)
*David Parker, Michael Semanick, Ren Klyce, & Bo Persson (The Girl with the Dragon Tattoo)
Deb Adair, Ron Bochar, David Giammarco, & Ed Novick (Moneyball)
Gary Rydstrom, Andy Nelson, Tom Johnson, & Stuart Wilson (War Horse)
Greg P. Russell, Gary Summers, Jeffrey J. Haboush, Peter J. Devlin (Transformers: Dark of the Moon)


BEST COSTUME DESIGN: MARK BRIDGES (THE ARTIST)
Arianne Philips (W.E.)
Sandy Powell (Hugo)
Lisy Christi (Anonymous)
Michael O'Connor (Jane Eyre)


BEST MAKE UP: Mark Coulier & J. Roy Helland (The Iron Lady)
*Martial Corneville, Lynn Johnston, & Matthew W. Mungle (Albert Nobbs)
Nick Dudman, Amanda Knight, & Lisa Tomblin (Harry Potter & the Deathly Hallows Part II)


So now that the night has drawn to a close and the wild after parties have also drawn to a close (except at Brad and Angelina's house, where 7 of the estimated 207 children are still doing the night shift chores) we can look back and say this was a pretty successful 84th Academy Awards.  For more thoughts and news on all the upcoming awards shows this year and beyond, follow me on Twitter: @DylanMerrick6. Until next time...


~Viva amigos,
   ~D. Merrick


PS- The asterisks next to certain names are the nominess I believe should have won :P

Thursday, February 23, 2012

Indie Movie Posters

I enjoy modern indie movies just as much as the next person who's bound to live in Brooklyn at some point or own a Macbook Pro.


Wait, that's not true at all.  I'd never move to that godforsaken town or own a Macbook Pro.  And more importantly, I hate most indie movies (but I love plenty of independent films).  Most indie movies are cheap rewrites of The Ice Storm or The Squid & The Whale directed by weird hipsters who want to be Woody Allen but have to settle for Steve Zissou-era Wes Anderson.  Some might call these affronts to the art of cinema a "guilty pleasure" (not the guy in the link), but these heathens are the same heathens that think Bon Iver is for something other than sleeping (thank you Justin Timberlake) or the Nissan Leaf is cooler than a '66 Mustang with a Fastback.


This is not say I dislike ALL modern indie movies.  Winter's Bone and Little Miss Sunshine were really good and Sideways is pretty perfect, but even for the ones I respect and/or appreciate, there's a commonality I simply can't bare anymore.  The posters. I don't know for certain who designs every indie movie poster, but my guess is it's one of these people:



(scientific classification: hipsterus badwigandmomssunglassesitium)

OR


any one of these three people (scientific classification: hipsterus AndyWarholicae williamsburghida)


Now, fair reader, the main genus of indie movie poster has many sub-classifications, but for the most part there is a common theme.  The main genus uses bright, primary colors almost blinding to normal human eyes (because they're not perpetually closed or wearing sunglasses) or natural scenery and a quirky font to accentuate the presence of an even quirkier looking person, couple, or group of people. It doesn't matter what the content of the movie is; whether it's a sad drama or a geek chic romantic comedy/adult-oriented dramady about a dysfunctional family (it's going to be one of these genres with something about the environment and Internet sprinkled throughout it), it will follow this basic schematic.  The general template for this type of indie movie poster looks something like this:




Here are a few examples of indie movies that employ this type of "adorkable" poster:


With Sundance and Berlinale having just finished up and Tribeca on the way in April, just remember to be wary of these posters, folks.  The movie could be as funny and moving as Juno, as badass and intelligent as Primer, or it could be another From Justin to Kelly (in which case, set the reel on fire and hope no others will have to see it again).  These aren't the days of the Jarmusch, Soderbergh, Tarantino, and Coen Brothers indie flicks anymore, people.  It's a sad, strange world out there.  

Keep your eyes out for upcoming indie movies with posters following this type and tweet them to me if you find them!  Follow me at: @DylanMerrick6

~Viva amigos,
   ~D. Merrick

Tuesday, February 21, 2012

Together We Can Play Some Rock and Roll

Dubstep is the new wild Western frontier and I’m feeling like Billy the Kid.  I don’t mean there will be Skrillex remixes of The Good, The Bad and The Ugly soundtrack (even though that’d be AWESOME) but in American pop music culture, the poor man’s music rules.

Even the Addams Family is in on it.
It started with blues where all you needed was a depressed guy with a cheap guitar singing about being a depressed guy with a cheap guitar.  Then there was jazz, which was the same thing as the blues, only faster and with a few more crazy guys playing on cheap instruments that sounded cool and cheap.  When rock came to the forefront it was just another poor guy slamming a cheap guitar against a wall with his band (composed of other poor people with cheap instruments) singing about how to have fun when you’re a poor guy with cheap instruments.  The story was the same with punk and grunge and even rap only with a dj instead of a band.

Well, needless to say these styles just don’t do it for us anymore.  In niches these styles are still just as gripping and exciting as they were back in the day (even if that day was last year), but the public wants more.  The public is the cliché unhappy housewife in a corny movie that leaves her workaholic husband for the poor but exciting pool boy (see Sandra Bullock).  But why does the public not go for these styles of music in the same way they used to?  It’s simple: they’ve all been taken over by the old, the elite, and the rich.

No one wants to see Donald Trump or Bill Gates jamming to Bowie tracks.  Believe me.  NO ONE.  Rock and jazz have become the music of the rich, old white man with a midlife crisis and male-pattern baldness.  When The Who went back on tour I sat there hoping the backstage was stocked up with replacement hips for Roger Daltry (no disrespect, The Who's one of my favorite bands).

It’s all a matter of perception.  No one wants to play music that would make their middle school band teacher go “groovy, man”.  These styles are no longer attainable to the public.  You have to think too hard to listen to them.  To put it simply: NO FUN.  We listen to music to have a good time; party, flirt, dance, whatever it is that you wanna do.  Enter dubstep.

And I was like "BWOM BWOM BWOM SQUEE BWOM".

To some people it sounds like two robotic whales humping for dear life, but for the poor youth it sounds like a good time.

Dubstep is the next step in musical development (even if it’s been around since 1999) because it’s music for the poor, partying masses who wanna forget about 10% unemployment and $8.00 gas until the E wears off.  Unlike jazz and rock, which have come to be about virtuosity and expensive venues/instruments, good dubstep can be made on Garageband and pumped out through a 10-watt amp.  Unlike rap, which has become so obsessed with an image that’s unattainable by 99% of its listeners (we can’t all be Snoop), dubstep is just some random person cranking out oscillated bass drops to a bunch of high people who love it.  Dubstep is easy, dubstep is simple, and most of all, dubstep is cheap.  People who tell you that it’s not these three things are the same marauders who murdered the pop music of yesteryear for all of us.

Contrary to popular belief, Nero was not in The Matrix.
Even if dubstep isn’t here to stay (and I don’t think it is, let’s be real here people) it’s good to have it around right now.  For all the pretentious indie bands, dopey rappers, fake country musicians, and pop divas eating our brains, it’s nice to have some scrawny little guy with a half-shaved head banging on a turntable until some crazy noise comes out.  That strange little man in the DJ booth reminds me that there are other poor little creeps out there hellbent on good times and even better music.

~Viva amigos,
   ~D. Merrick

PS - Follow me on Twitter, it's good for you! @DylanMerrick6

Tuesday, February 14, 2012

Merrick's Movies: 84th Academy Awards Predictions



‘Tis the season folks!




Ah, Oscar season, the one time a year when film nerds can talk to pretty girls for more than 30 seconds without crying or getting sweaty palms.  Yes, it is a beautiful time of year.  The film school junkies are angry that “Captain Wes Anderson and the Obscure Case of Obscurity” didn’t get nominated and Frat Boys are wondering why The Rock (who will forever remain The Rock, NOT Dwayne Johnson) has STILL yet to get a nomination for Best Actor.  But for us film critics, we must subdue our embarrassing glee for a month and get right to work!  The public looks to us for what/who WE think the winners will be (as if the Academy actually takes what we lonely, delusional souls think into consideration).  Well fair readers, go buy some Mike & Ike’s, slurp a Slurpee, and kick the seat of the fat guy in front of you, here are my predictions for the winners of the big awards at the 84th Oscars (let’s hope I flog Roger Ebert and Peter Travers, maybe then I’ll get a real job!) ROLL THE REEL, JOHNNY:

BEST PICTURE:   The Artist (Thomas Langmann)

BEST DIRECTOR:  Martin Scorsese (Hugo)

BEST ACTOR:     George Clooney (The Descendants)


Target locked...
MAN THE TORPEDOES!
BEST ACTRESS:   Viola Davis (The Help)



BEST SUPPORTING ACTOR:     Christopher Plummer (Beginners)




BEST SUPPORTING ACTRESS:   Octavia Spencer (The Help)

BEST ORIGINAL SCREENPLAY:  Woody AllenMidnight in Paris

Sadly, Owen Wilson did not get
a nomination for his role as Woody Allen.
BEST ADAPTED SCREENPLAY:   Alexander Payne, Matt Faxon, Jim Rash – The Descendants

BEST ANIMATED FEATURE:     Rango (Gore Verbinski)

Am I doing it right?
BEST FOREIGN LANGUAGE FILM:     A Separation (Iran)

Cinema’s big night is fast approaching folks and I’m excited as hell.  To all the nominees in every category (including the ones I didn’t list here) I say hats off to you compadres, best of luck and I hope it’s a good show!

The Oscars will also be blowing up my Twitter like a Hydrogen Bomb, so for your tweeting pleasure and up to the minute news follow me: @DylanMerrick6


HUZZAH!


~Viva amigos,
   ~D. Merrick